The Kennedy Center’s world premiere commission of Madeleine L’Engle’s A Wind in the Door opened over Labor Day weekend to a much deserved standing ovation. The sequel to A Wrinkle in Time, and second installment of L’Engle’s Time Quartet, was adapted for the stage by Jacqueline Goldfinger and features the beloved characters Charles Wallace, Meg, and Calvin as they battle an evil force, which threatens all existence, through a series of tests.
Director Nicole A. Watson brings the story to life with a five-person cast and a gorgeous set designed by Luciana Stecconi. The production includes a towering puppet (by Matt-a-Magic) and a lovable dragon-esque creature named Progo, charmingly played by Tyasia Velines, with a magically colorful costume (designed by Ivania Stack) using Velines’s arms as dragon necks with a head on each hand.
The story begins with Meg, played by Alicia Grace, worrying about her brother, Charles Wallace (David Landstrom), who is not well and keeps getting sicker. With the help of her good friend Calvin (Vaughn Ryan Midder), they encourage Charles Wallace to hunker down in a warm blanket so he can rest while they read a book to him.
But the trio is interrupted by an intergalactic Teacher named Blejany (Lynette Rathnam), who tells them that Charles Wallace is in danger and they must go on a mission to save him from the evil Echthros and restore balance to the Universe.
They will not be alone, though; Blejany has brought them a guide named Progo (Velines) to help them along the way. With the creature’s help they agree to take on this enormous task and determine to save Charles Wallace and, in turn, the entire world.
In the first test, three replicas of Calvin appear. The actors are all wearing the same outfit, with an emotionless mask to hide their faces, all claiming to be Calvin and posturing like him. Meg must name them all and discover who is the real Calvin. The scene is a bit sinister but with enough humor to keep from being scary. The Calvins slither around Meg doing different moves and tricks to plead their case. But ultimately, because Meg knows Calvin’s heart so well, she is able to be rid of the imposters and find the real Calvin.
And this is the nature of the tests Meg must perform. She uses her knowledge and fortitude to find the truths and fight against deceit, flattery, and destruction, for the good of all. Grace portrays Meg’s struggle with a brilliant balance of youthful self-doubt and honest determination.
The entire cast does an impressive job and the show has a steady-paced, high-energy, suspenseful vibe that holds the audience’s engagement throughout the production. My 12- year-old attended with me and was shocked when only five actors appeared at the curtain call, asking “Where are the rest of the people?”— which speaks to the seamless performances and transitions by the crew.
A Wind in the Door is a heart-warming tale about love, hope, and responsibility. The story addresses the unpleasant truth that there are many evils in the world. And though things may not seem to affect us all directly, these evils could ultimately destroy our world if we do not band together and fight. This message transcends into so much that is going on today. Climate change, civil rights, prejudice, and mental health stigmas. The list is endless.
The Kennedy Center has created a fantastic, original production with a subtle yet powerful message that all youth should hear. With a knockout cast and impressive production team, A Wind in the Door is destined to become a new family favorite.
Read the article from Kendall Mostafavai at the DC Metro here.
Running Time: Approximately 60 minutes, with no intermission. Most enjoyed by 9+
A Wind in the Door plays September 2 through 11, 2021, at The Kennedy Center Family Theater, 2700 F St. NW, Washington, D.C. Tickets are available online or by calling the box office at (202) 416-8540.
Cast: Alicia Grace (Meg Murry), David Landstrom (Charles Wallace), Vaughn Ryan Midder (Calvin O’Keefe), Lynette Rathnam (Blageny), and Tyasia Velines (Progo)
Creative Team: Director – Nicole A. Watson; Playwright – Jacqueline Goldfinger; Dramaturg – Martine Kei Green-Rogers; Stage Manager – Rachael Danielle Albert; Costume Designer – Ivania Stack; Sound Designer – Tosin Olufolabi; Properties Artisan – Patti Kalil; Production Assistant – Stephen Bubniak; Scenic Designer – Luciana Stecconi; Lighting Designer – Sherrice Mojgani; Puppets – Matt-a-Magical; Assistant Director – Agyeiwaa Asante; Casting Director – Michelle Kozlak